Instead of playing up the aspects of [Kate] Bush’s persona that scream out fantasy warrior goddess — her dazzlingly high voice, the emotionalism in her singing, the synth-heavy, rhythmic arrangements partially designed to complement dance moves evocative of Martha Graham — [Theo] Bleckmann picks up these texts as if he’d found them with the author line erased.
— Ann Powers and Patrick Jarenwattananon on the gender politics, musical artiness, vocal diction and the lyrics of jazz singer Theo Bleckmann’s Hello Earth! The Music of Kate Bush.
