Most of the lyrics are images, like a mental flood of disjointed experiences that you are trying to stay afloat in long enough to spot land.
— Exitmusic on the gorgeously shot video for “White Noise”
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Most of the lyrics are images, like a mental flood of disjointed experiences that you are trying to stay afloat in long enough to spot land.
— Exitmusic on the gorgeously shot video for “White Noise”
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A new video set at a backyard dance party in Dakar highlights a collaboration between the famous Senegalese singer Baaba Maal, the Jeri-Jeri drum ensemble and a German techno producer Mark Ernestus.
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Telekinesis’ Michael Benjamin Lerner ambles into an abandoned record-pressing factory and gets it running again. It’s a curious glimpse into one of the last gasps of industry keeping music tethered to the physical world.
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If you haven’t paid attention to him yet, the clawing, gnarly video for “Numb” is a perfect opportunity to catch up with Gary Clark, Jr., one of 2012’s biggest arrivals.
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The soulful electronic artist Until the Ribbon Breaks makes a splash with a video that remixes David Lynch’s Lost Highway.
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Watch Kurt Vile take a ride around his Philly home town in the video for “Never Run Away.”
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Ever walked into a nearly pitch-black room after roasting on sun-beaten asphalt, only to sweat it out with a host of the moshing unwashed? No? But what if candles were involved — would that make it classier?
Watch experimental U.K. doom-metal band Dragged Into Sunlight’s skin-crawling, multi-sensory set from Maryland Deathfest: The Movie III.
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In the video for Yellowbirds’ “Young Men of Promise,” the compelling animation doesn’t try to match the music, which only makes the moments when they align stand out.
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A spectacular new video for the California-based folk-pop group Yellow Red Sparks tells the epic story of a woman who dies, quite literally, of a broken heart. What happens to the man who rejected her is another story all together.
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We’re not really sure what’s happening in this video from the uncategorizably heavy Wreck and Reference, but it sure is creepy.